A personal and powerful essay from Chimamanda Ngozi Adichie, the bestselling author of 'Americanah' and 'Half of a Yellow Sun', based on her 2013 TEDx Talk of the same name. What does "feminism" mean today? That is the question at the heart of We Should All Be Feminists, a personal, eloquently-argued essay - adapted from her much-viewed Tedx talk of the same name - by Chimamand...(展开全部)

What does “feminism” mean today? That is the question at the heart of We Should All Be Feminists, a personal, eloquently-argued essay—adapted from her much-viewed Tedx talk of the same name—by Chimamanda Ngozi Adichie, the award-winning author of Americanah and Half of a Yellow Sun. With humor and levity, here Adichie offers readers a unique definition of feminism for the twent...(展开全部)

A personal and powerful essay from Chimamanda Ngozi Adichie, the bestselling author of 'Americanah' and 'Half of a Yellow Sun', based on her 2013 TEDx Talk of the same name. What does "feminism" mean today? That is the question at the heart of We Should All Be Feminists, a personal, eloquently-argued essay - adapted from her much-viewed Tedx talk of the same name - by Chimamand...(展开全部)

What does “feminism” mean today? That is the question at the heart of We Should All Be Feminists, a personal, eloquently-argued essay—adapted from her much-viewed Tedx talk of the same name—by Chimamanda Ngozi Adichie, the award-winning author of Americanah and Half of a Yellow Sun. With humor and levity, here Adichie offers readers a unique definition of feminism for the twent...(展开全部)

In the book, Sheila divorces a husband and forms a fast, intense friendship with a painter named Margaux. Female companionship is a strange experiment for both women, who heretofore related predominantly to men, despite being frustrated by their paternalism. The women’s days are spent talking about art, while Sheila avoids working on a play commissioned by a feminist theatre co...(展开全部)

Graffman was born in New York City to Russian-Jewish parents. Having started piano at age 3, Graffman entered the Curtis Institute of Music at age 7 in 1936 as a piano student of Isabelle Vengerova. After graduating from Curtis in 1946, he made his professional solo debut with conductor Eugene Ormandy and the Philadelphia Orchestra. By the age of 20, Gary Graffman had made a na...(展开全部)

In the book, Sheila divorces a husband and forms a fast, intense friendship with a painter named Margaux. Female companionship is a strange experiment for both women, who heretofore related predominantly to men, despite being frustrated by their paternalism. The women’s days are spent talking about art, while Sheila avoids working on a play commissioned by a feminist theatre co...(展开全部)

Toronto-based writer. Sheila Heti, who previously produced a novel (2005’s Ticknor) and short story collection (2002’s The Middle Stories), here fictionalizes actual events and conversations from a year in the lives of her friends to forge a journey of self-discovery for her protagonist.

Toronto-based writer. Sheila Heti, who previously produced a novel (2005’s Ticknor) and short story collection (2002’s The Middle Stories), here fictionalizes actual events and conversations from a year in the lives of her friends to forge a journey of self-discovery for her protagonist.

Graffman was born in New York City to Russian-Jewish parents. Having started piano at age 3, Graffman entered the Curtis Institute of Music at age 7 in 1936 as a piano student of Isabelle Vengerova. After graduating from Curtis in 1946, he made his professional solo debut with conductor Eugene Ormandy and the Philadelphia Orchestra. By the age of 20, Gary Graffman had made a na...(展开全部)